From Faber & Faber's Projections: Tod Lippy's interview with Christine Vachon
Jonas Mekas told me in his interview that he felt grants were
causing the death of the independent film.
Christine Vachon: I don't disagree. I can really argue both sides of the
case. On the one hand, I see these mealy-mouthed producers who basically
aren't dealing with anything I have to deal with - foreign-sales, and this
actor as opposed to that actor, and this union deal, and should we shoot
it in Toronto, etc. etc - and they're just filling out their application and
mailing it in, you know. I met this Canadian filmmaker a while ago who'd
just gotten a million and a half dollars to make his first feature, and he
said to me, "I don't really care who sees my movies." I mean, I do believe
in a certain degree of art-for-art's-sake. Some of my filmmakers, like
Todd Haynes and Todd Solondz, should really just be given the money to do
whatever they want, because they're national treasures. But I also do care
about who sees my movies. If you make a movie for the right budget, then
you will probably be able to get it to a place where it's not devastating
anybody financially. And that's part of the trick - it's a commercial art
form, and that's part of the process.
You know, a "low-budget" movie is under two million dollars. Well, two
million dollars would immeasurably improve my style of life, and I'm sure
it would improve yours, but you hear people say, "Uh! We've only got two
million." These numbers are insane. I'll read a script, and say to Pam
Koffler, my partner at Killer, "What do you think. Ten, twelve?" She'll
say, "Ten, maybe nine if we shoot it this way." And we're little! I mean,
if you want to express yourself, be a modern dancer.
Projections 11
New York Film-Makers on Film-making
edited by Tod Lippy
faber and faber
© copyright Tod Lippy, 2000